“A writer is someone who has taught his mind to misbehave.”—Oscar Wilde
“Take, take, take.”—The White Stripes
A common question
many authors sneer at, likely because the answer isn't nearly as
simple as the question is innocuous. As if there could be any one
place a writer gets their ideas.
I once told the editor of my former
English department's newsletter, a man who wanted to publish one of
my poems, that, in fact, I had not written any of my own work. I
admitted to him confidentially that I had unearthed the various
stories and poems at the end of a long stone wall beside a big oak
tree. The scribblings were folded into a box under a rock that had
no earthly business in that Maine hayfield. A piece of black,
volcanic glass. I threw myself on his mercy for my literary
treachery. If he believed me, I was pardoned, but my work was never
featured in the newsletter.
Stephen King takes the opposite
approach, saying he gets his ideas from “everywhere.”
I don't know whose answer is more unhelpful, but his is closer to
the truth.
Yesterday a middle school aged girl
asked me, wasn't it true writers get most of their ideas from dreams?
Never mind what I was doing talking to a middle-schooler, but the
prevailing interest in the question surprises me. (I wasn't doing
anything talking to the middle-schooler, just having lunch with my
friend, her relative through marriage. She isn't married, he is.
Never mind.)
Being a writer isn't something you
are born with. You don't wake up one morning with a headache and
a little case of being a writer. You don't have special story
dreams, or invent a whole world halfway through breakfast. What you
do is teach yourself to pay attention to things that are interesting.
An artist might watch for interesting images; a musician listens for
interesting sounds. Ideas don't pop into your head so much as you
stumble over them in your reading, watching movies, or just walking
down the street. What you have to do is know to stop and pick the
thing up, wherever it comes from, so you can play with it later to
see if the idea goes anywhere.
All writers are forgers.
There's no need to be ashamed of that so long as your thefts are
piecemeal. If you spent your whole life on a lonely island, what
chance is there that you could write anything beyond the limited
scope of the horizon and your own meager thoughts? You wouldn't even
have any youthful fairy tales to populate your imagination. What you
have to do is “stuff your head,” as Ray Bradbury said.
Dive in to anything that interests you, and then when you sit down
to write, or even if you're just daydreaming, you'll start shuffling
the pieces around until you hit on something that excites you. You
won't be able to help it.
Don't forget to play—that's key.
Misbehave. Surprise yourself. Take what the other guy did and do
just the opposite. Pluck a quote from The Shawshank
Redemption and twist it to your own purpose. See what happens. Just maybe leave the antics out of your
correspondences with publishers. Such people often have no sense of
humor about the seriousness of their work.
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